Making music is hard. Well, at least it used to be. I remember the old days, when you had to spend hours and hours honing skills, coming up with something clever or personal to say, then actually recording sounds that people would want to listen to. But that’s the past. In our sparkling future, a pre-teen can dump a bunch of words into a machine and out comes a catchy tune. In 2025, a robot can be a pop star. (Although Data from Star Trek did drop an album back in the 90s. How soon we all forget.)
Three AI-generated songs recently topped Spotify’s “Viral 50” charts. One of the “creators” responsible for these songs, Broken Veteran, who squirted out a track about immigration policies, told the Guardian that AI is “just another tool for expression, particularly valuable for people like me who have something to say but lack traditional musical training”. It used to be that if you didn’t know how to do something, you wouldn’t do it.
I’ll never be Shohei Ohtani – I’m simply not handsome enough – but what if I could buy a robot to hit home runs for me? Could I then call myself a baseball player? Probably not, since I literally would have accomplished absolutely nothing, even if the robot wore a jersey with my name on it.
Advocates for AI art always throw the word “democratization” around, claiming that these machine tools remove the barriers for entry to creativity. Those barriers were actually pretty valuable, because they prevented people from having to suffer through things that are objectively bad. But again, that’s the old way of thinking. The concept of “bad” or “good” hardly exists anymore. In its place, we have a goopy stew of garbage with a few nuggets of actual sustenance periodically bubbling up to the surface.
Thousands of AI songs are uploaded to the internet every day, by people who aren’t actual musicians. I struggle to see how that’s a good thing. Why would I want more music? I don’t have time to listen to the music that exists now. There are over 100 million songs on Spotify. What is the point of that? Why do we need to add more onto that Hometown Buffet of music? Did the world really need an AI song called I Caught My Knackers in the Cutlery Drawer? The answer doesn’t matter, because it’s there anyway. It’s like when Apple forced us all to download that U2 album, but times a million. (And to be fair, I would rather listen to I Caught My Knackers in the Cutlery Drawer – I’d take a robot over Bono most days.)
At the core of all this artificially generated misery is the big, scary S-word: scale. Corporations, especially ones in media and entertainment, prize size over curation. More widgets – songs, TV shows, movies, books – means more monetization opportunities. More clicks, more watch time, more engagement. It doesn’t matter how it happens or why. Streaming video services prize the amount of time something is viewed. Whether or not a person finishes the show or movie is…
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