I am a science-fiction writer, which means that my job is to make up futuristic parables about our current techno-social arrangements to interrogate not just what a gadget does, but who it does it for, and who it does it to.
What I do not do is predict the future. No one can predict the future, which is a good thing, since if the future were predictable, that would mean we couldn’t change it.
Now, not everyone understands the distinction. They think science-fiction writers are oracles. Even some of my colleagues labor under the delusion that we can “see the future”.
Then there are science-fiction fans who believe that they are reading the future. A depressing number of those people appear to have become AI bros. These guys can’t shut up about the day that their spicy autocomplete machine will wake up and turn us all into paperclips has led many confused journalists and conference organizers to try to get me to comment on the future of AI.
That’s something I used to strenuously resist doing, because I wasted two years of my life explaining patiently and repeatedly why I thought crypto was stupid, and getting relentlessly bollocked by cryptocurrency cultists who at first insisted that I just didn’t understand crypto. And then, when I made it clear that I did understand crypto, they insisted that I must be a paid shill.
This is literally what happens when you argue with Scientologists, and life is just too short. That said, people would not stop asking – so I’m going to explain what I think about AI and how to be a good AI critic. By which I mean: “How to be a critic whose criticism inflicts maximum damage on the parts of AI that are doing the most harm.”
An army of reverse centaurs
In automation theory, a “centaur” is a person who is assisted by a machine. Driving a car makes you a centaur, and so does using autocomplete.
A reverse centaur is a machine head on a human body, a person who is serving as a squishy meat appendage for an uncaring machine.
For example, an Amazon delivery driver, who sits in a cabin surrounded by AI cameras that monitor the driver’s eyes and take points off if the driver looks in a proscribed direction, and monitors the driver’s mouth because singing is not allowed on the job, and rats the driver out to the boss if they do not make quota.
The driver is in that van because the van cannot drive itself and cannot get a parcel from the curb to your porch. The driver is a peripheral for a van, and the van drives the driver, at superhuman speed, demanding superhuman endurance.
Obviously, it’s nice to be a centaur, and it’s horrible to be a reverse centaur. There are lots of AI tools that are potentially very centaurlike, but my thesis is that these tools are created and funded for the express purpose of creating reverse centaurs, which none of us want to be.
But like I said, the job of a science-fiction writer is to do more…
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